Cunei Media

Sleep is comprised of two pieces of music: Dream and Delta. The first piece, Dream, is a variation on a theme by Alexandre Desplat reworked and re-arranged for strings, woodwind, and brass. It was written with the intention of emulating REM sleep. The latter half of the music is written and designed to invoke the sensation of deep sleep, thus the title: Delta.

Aptekar explores 3-dimensionality with stacks of laser-cut paperboard. Her laser-cut sculpture-objects show no evidence of the artist’s hand. First designed as virtual 3D objects in CAD software, and then translated into 2D layers of laser-cut bristol board that the artist stacks, the emphasis is on clean design and perfect, machine-executed manufacture. The effect is a sculpting of space.

‘Que le Cheval Vive en Moi’ is a piece created by French experimental performance artists Art Orienté Objet jaywalk the intersection of medical research and performance art. With this performance the French duo Art Orienté objet calls for greater ecological responsibility from humans, whose technologies increasingly instrumentalize other animals and plants.

Chavez GEE serves up an all vinyl mix that moves through obscure selections of psychedelic goth into hash-den Turkish funk with masterful ease. Entitled ((((POISONOUS SLEEP)))), this mix is teeming with freakout tunes. It’s summer in San Francisco. Get groovy baby!

 Cunei Cast: Chavez GEE [79:11m]: Play Now | Play in Popup | Download

French audio-visual artist desaxismundi talks immersive environments, large scale 3D projection mapping, and plans for festivals in Europe.

Kouta brings us a healthy dose of DSP with a side of fresh Bay Area beats. This new work is full of obscure beats, lush textures and meticulous programming. Download Orinda for free now.

When you put the needle to the record of Logreybeam’s Perhaps you are immediately transported to an obscure place in European antiquity. You can practically hear the dust vibrating on the old piano strings as Morely strikes the keys.

Morton Subotnick talks about crossing the technological threshold by creating the some of first modular synthesizers and sequencers with Don Buchla.

Here Derrida interviews Coleman about his views on composition, improvisation, language and racism. Perhaps the most interesting point of the exchange is the convergence of their respective ideas about “languages of origin” and their experiences of racial prejudice.

This April, in partnership with XLR8R, GAFFTA and Two Circles, we are proud to present to you a night of leftfield bass à la Sepalcure, Shigeto, Simple and my band Santa. We will be announcing more details as the night draws closer.